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Agenda

  • November 23rd, 20:30

    ASIAN FIELDS: Louis Sclavis Dominique Pifarély, Vincent Courtois
    & 37FERN: Claron McFadden, Kristina Fuchs, Oğuz Büyükberber, Tobias Klein

    TILBURG, Paradox

    basklarinetfestijn.nl

  • November 24th, 20:15

    37FERN: “A Bag of Songs” Claron McFadden, Kristina Fuchs, Oğuz Büyükberber, Tobias Klein

    SchoolHuisConcerten
    Prinses Margrietlaan 4a
    3051 AT Rotterdam
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  • November 25th, 16:00

    ASIAN FIELDS: Louis Sclavis Dominique Pifarély, Vincent Courtois
    & 37FERN: Claron McFadden, Kristina Fuchs, Oğuz Büyükberber, Tobias Klein

    UTRECHT, Tivoli Vredenburg

    basklarinetfestijn.nl

  • December 9th, 16:00

    LINDEN

    Jazz in Verdan,
    Doopsgezinde Vermaning (yep!)
    Westzijde 80, Zaandam
    jazzinverdan.nl

  • February 10th, 16:00

    37FERN: “A Bag of Songs” Claron McFadden, Kristina Fuchs, Oğuz Büyükberber, Tobias Klein

    MAASTRICHT, Intro In Situ

    basklarinetfestijn.nl

Concerts

“Kristina’s possibilities are fabulous. The command, the capacity to listen and react, but above all the rich addition of her vocals to the group sound, make a comparison to the Norwegian voice-artist Sidsel Endresen an understatement.” (Tim Sprangers, Volkskrant 2010)

“Her voice is velvety and seductive without sounding imposing for one single moment. She improvises in a playful manner, and in a completely natural way she integrates little pieces of Indian-sounding improvisation, a Swiss Alp-echo or a jazz-lick. All this she does in the service of music, it’s not about her. Kristina Fuchs is one with her band. There are only very few singers who can achieve this.” (Koen Schouten, Volkskrant 2005)

“Who would have been the ‘great discovery’ of the North Sea Jazz Festival of this year? The airy, blues-soaked alto of the Swiss, Hague-based singer Kristina Fuchs in her ballad “Sister Moon”? Parting from earlier choices I would guess Kristina Fuchs would score highly. To be true to oneself: That’s maybe the greatest art of a musician. To not get intimidated by what happens elswhere. Concerning that Kristina Fuchs chose her own way: Regarding content in her repertoire, but also in the use of her voice technique she has found a mode wherein she can set her own course.” (Kees Polling, Trouw 2000)